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Maurice, whose nerves were proof against such fantasies, laughed disbelievingly. "He's a Russian refugee," she said, triumphantly, and as she quickly covered her work again, and they passed out through the little side entrance, she told them the tragic scrap of the model's history that had sifted through the gossip of the work room. A real love-letter ought to be like a cream puff with a drop of dynamite in it. Alfred's was that kind. I felt warm and happy down to my toes as I read it, and I turned round so that old Lilac Bush couldn't peep over my shoulder at what he said..

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"You villain!" cried that lady, starting from her seat. "Do you think I want to see you after all the misery you have caused? Why, I refuse even to remain in the same room with you." And with a furious gesture the Creole swept past Etwald and out of the door, which she banged loudly. Etwald looked at the door, shrugged his shoulders, and turned politely to the major. What could we say? What could we do? We didn't try. I busied myself in tying the string on Billy's blouse that had come untied in the bear-hug, and the doctor suddenly discovered the letter on the bench. I saw him see it without looking in his direction at all. Elinor hesitated. "I don't know," she replied slowly, measuring her words. "I can't put my finger on it, but she doesn't seem the same to me as she did at first. She isn't jealous of my poor work, of course, but I can feel a something—a wall or barrier—that she raises up between us whenever my work is spoken of. I felt it when we talked about the subject of the prize designs, and I felt it today more clearly than ever. We can't be friends any more as we were, I'm afraid. Something has come between us. 'The little rift within the lute,'" she quoted sorrowfully. "I don't know. She is a strange girl, major, and the events of the last few weeks have shaken her nerves.".